Indian Fashion, fashion wear dresses, fashion history, Indian Fashion Glossary

Indian Fashion

Indian fashion is continuously changing as fast as a breeze... Fashion in clothes or costumes, fashion in accessories, fashion in jewelleries, fashion in dresses, fashion in designs, fashion in makeup...

Though Indian fashion grows so fast, it successfully make a combo of western and traditional look called as Indo-western which became latest fashion trend.

Latest Indian traditioanl fashion includes fancy sarees, designer wear dresses, celebrity wears, bridal latest fashion lehenga cholis, Anarkali salwar kameez. Latest Indian western fashion varies with long skirts, stylish T shirts or blouses or tunics, fashion wear jeans, capris, three fourth jeans, cargos and many more... and Latest fushion fashion wear Indo-western dresses include Jeans or three fourth capris and kurtis or tunics.

Indian dresses always have a demand in the international fashion market because of its unique and outstanding styles and types of garments.

While the saree is considered sensuous attire, the other commonly worn Indian garment is the salwar kameez.

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Indian Fashion History:

Through sharp analysis of Sanskrit, Prakrit, and Hindi, as much as Arabic and Persian sources,
they have brought within reach a rich body of material. The inherent difficulty in the matter of interpreting this material and relating it to surviving archaeological and visual evidence naturally leaves some matters obscure, and others open to controversy.
But a very substantial body of information has been collected.
When the century dawned, fashion was an exclusive enterprise, the pursuit of the wealth.
The lower tiers of the society settled for garments that were more often than not entirely family hand-made-downs or stitched at home. With time, however, networks of neighbourhood tailors began to evolve into a retail history and the boom followed by boutique selling. Today, garments are laser cut by computers and sourced from all over the world and can easily be bought sitting in the comfort of one's home via the internet.

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A question that needs to be disposed of rather early is whether, in the indigenous Indian tradition, stitched garments were known or used at all. From time to time statements have been made that the art of sewing was unknown to the early Indians, and that it was an import from outside. Serious and early students of Indian costumes, like Forbes Watson, have stated, mostly on the authority of other scholars, that the art of sewing came to India only with the coming of the Muslims.'
This statement needs no longer to be taken seriously.

It is possible that the view that "before the invasion of India by the Mohammedans, the art of sewing was not practiced there" was formed not on the basis of any historical or scholarly inquiry into this matter but simply 'observation': observation of the dresses of two different categories of people, those who were far more rooted in the Indian soil and could thus be taken as representing the long Indian tradition of wearing costumes in a particular fashion, and those who could be linked with outsiders' who came to India late, and visibly preferred different kinds of dresses.

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The 'timeless' Indian dress of men, thus, consists of garments that use no stitching, garments in other words that, as Forbes Watson says, "leave the loom, ready for wear". The Dhoti, the Scarf or Uttariya, and the Turban, which have never really disappeared from any part of India, belong to this category, and their marked visibility in India could have led one erroneously to conclude that the early Indians did not use any sewn garments.

Likewise, for women, the Dhoti or the Sari as the lower garments, combined with a Stanapatta or breast-band for covering the breasts, forms a basic ensemble, and once again consists of garments that do not have to be stitched, the breast-garment being simply fastened in a knot at the back. And the Dhoti or the Sari worn covering both legs at the same time or, in the alternative, with one end of it passed between the legs and tucked at the back in the fashion that is still prevalent in large area of India.

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But the preference of Indian men and women for these garments, rational and understandable in the context of the generally hot Indian climate, does not afford any proof that for long periods of time the Indians knew no other garments than those which "left the loom, ready for wear".

As it is Indian fashion is extremely alive and whatever the decade or the century, it is here to stay. For not only it is comfortable, practical and aesthetically beautiful but has changed with time with the result that it has, in the past century,and will in the coming one, remain contemporary Which is why the start of the new century tempts us to dream and remember the past.

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In the indigenous Indian tradition, stitched garments were not known or used at all. The art of sewing was unknown to the early Indians, and that it was an import from outside. Serious and early students of Indian costumes, like Forbes Watson, have stated, mostly on the authority of other scholars, that the art of sewing came to India only with the coming of the Muslims.'

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Likewise, for women, the Dhoti or the Sari as the lower garments, combined with a Stanapatta or breast-band for covering the breasts, forms a basic ensemble, and once again consists of garments that do not have to be stitched, the breast-garment being simply fastened in a knot at the back. And the Dhoti or the Sari worn covering both legs at the same time or, in the alternative, with one end of it passed between the legs and tucked at the back in the fashion that is still prevalent in large area of India.

The Amirs and the Maliks and other officers at the Sultanate courts are described as wearing "gowns (tatailyat), jakalwat and Islamic qabas of Khawarizm tucked in the middle of the body" and short turbans which did not exceed five or six forearms. Of other Amirs we learn that they were as well dressed "as the soldiers except that they did not use belts and at times they let down a piece of cloth in front of them after the manner of the sups.

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From the earliest period of Indian proto-history, the Harappan culture, the evidence about textiles and dresses is scant but not unimportant. The survival of an actual fragment of cotton cloth, and the upper garment draped around the body like a shawl as seen in a sculpture, offer interesting examples, although it is difficult to give to these pieces any kinds of names.

The veil that women still use so extensively in India, something like the dupatta or odhani of modern times, has its early prototype in the Vedic period, and various words signifying the same article of apparel are used, with differences between one and the other that may not be easy to identify. Minor differences and modifications apart, this dress seems to remain as a standard 'for women for an uncommon length of time, not only because women's dresses tend to be more conservative but also because these garments together belong to the 'timeless' garments of India.

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When it comes to head-gears, there are many names that one comes upon, including usbnisba, kirita, patta, veshtana, vesbtanapatta, sbirovesbtana. The manner of wearing the turban evidently varied as much in ancient India as it did in medieval. The range of turban-styles that we encounter is reminiscent of the many styles in the 19th century, each style having a specific name for it as recorded by Forbes-Watson." However, there are close-fitting caps that one finds soldiers and some foreigners wearing in Indian sculptures and paintings. Exceptionally every head was covered by a turban.

There are specific references to the clothing of religious men, special mention being made of the sanghati or double chadar that the Bhikshuks of the Buddhist orders were meant to wear. This was combined with an antarvasaka or loin-cloth and a dupatta or loose upper garment, also called the uttarasanga. Short tunics are also heard of, but not seen too often. At the same time, drawers of the kakshya types, stitched and worn quite tight around the loins, especially by soldiers and men needing to be active in their movements, the prototypes of the later jangbias, make frequent appearance.

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Indian fashion wear dresses

Indian dresses: India is a great land of culture and heritage; she wonderfully weaves together so many people of different castes and religion. Different people have different tastes, fashion likes and dislikes.
Indian fashion is greatly influenced by their background and culture of it's people. India is well known for its garments and classic fashion styles all around the world. Indian women wear traditional Indian dresses, the men in India can be found in more conventional western clothing like shirts and trousers.

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The various fabrics and textures, Indian hand made cloth all fascinate the tourists. The ‘Indian sari’ for women is a renowned way of dressing it portrays elegance and beauty. The Indian sari is a cloth, which ranges from 7 to 9 yards, which is wrapped around the petticoat, pleated and neatly tucked and draped around the blouse. Indian Fashion Designers combine Western trends with Indian touch, creating garments which are truly outstanding. The India fashion week is a much awaited fashion event which helps showcase latest trends & works of Indian dress designers.

Indian dresses always have a demand in the international fashion market because of its unique and outstanding styles and types of garments.

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Saree :

The saree is a traditional garment for women. It comprises a long single piece of fabric, approximately 5.5 metres in length and 1 metre in width, expertly wound around a woman’s body, with the loose end thrown over the shoulder. Worn with a choli, or short, fitting blouse, the fabric itself can be very detailed. Look closely and you might just see real gold or silver threads! Buy some saree fabric that takes your fancy, and turn a simple modern pattern into a stunning outfit.

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Salwar Kameez :

This garment is essentially a three-piece attire consisting of:

-Salwar or shalwar (bottom, or the pajama/payjama)

-Kameez (top, also known as kurta)

-Duppata (scarf)

Generally the salwar kameez is long, going below the knees. It is straight and has two slits on either side. The salwar is flared with a horizontal band at the end. The duppata or scarf is rectangle in shape and worn in front with the sides falling at the back from over the shoulders.

Salwar bottom is broad. Churidar is tight fitting bottom payjama had been worn by mughal or rajput worriars. Now days churidaar paijama is popularly worn with Anarkali style suit. Short knee line kurta with small stand collar patti and three fourth sleeves (or stylish sleevless) and tight fitted churidaar is very popular as formal wear.

This is the basic description of what a salwar kameez usually is. However, there are modifications of this garment in terms of the length of the kameez.

Styles might change but one thing that will never be out is this trendy comfortable outfit Indian woman Salwar Kameez. It is interesting to discover beautiful salwar kameez pattern.
Range: Casual Salwar Kameez to Churidar Salwar, Punjabi suit, Afghani style, Pakistani style, Custom Salwar.

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Young girls who wish to make their own fashion style generally choose Indo western style which is modern yet has the touch of Indian tradition. Silk Kurtas in pastel shades look fabulously cool and stylish.

Latest fashion style is of short Kurta with a loose Patiala style (an origin of Punjab). So just hang out in one of the designer boutiques or may be a shopping mall and buy yourself some fashionable salwar kameez.

Anarkali style salwar kameez and Patiala salwar suit is popular in latest fashion.

The salwar is preferred and is a favorite among the younger generation, as it is easier to carry out. Indian salwaar kameezis comfortable & fashion clothing for women and so it is worn at home & even outdoors. In other words, it is used for formal and casual occasions.

Indian designers have been able to give this Indian garment a global platform. Glamour stars from Hollywood are seen wearing this garment not only in their films, but also in their day-to-day lives.

They experiment with colours and designs and come out with such awesome salwaar kurtas its just amazing.

Presently the short kurtas and broad salwaar (with many pleats, it originated from Punjab) is very much in demand.

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Lehenga Choli :

Lehenga : A long skirt which reaches upto the ankles. Usually has embroidery or some other work on it. Also spelled as Lehnga / Lehanga / Lengha.

Lehengas is a Indian traditional (yet a designer lenghas worn even by modern Indian women) garment worn originally by Indian women from the state of Rajasthan. The designer lehenga is actually a long skirt made in such a way that it is flat but loose and comfortable all the way up to the knee. Below the knee it is pleated and flowing. It is tied at the waist with draw strings. A 'choli' or short blouse which comes up to the top of the skirt is worn on top.

Chaniya or chania cholis, Ghagara or ghagra cholis, sharara cholis are sister dresses of lehenga cholis for weddings. These dresses are perfect costumes for bridesmaid dresses.

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Hand Made Indian Embroidery in Fashion

What sets an Indian garment apart from the rest is hand made Indian embroidery.

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In this age of globalisation, when eveything is available everywhere, you cannot merely trust the designer’s label to be sure. That can be easily sourced — just as the fabric, pattern, colour schemes, embellishment and accessories can be generated anywhere anytime. But there is still one element that is identifiably Indian and as any overseas designer would readily acknowledge, which cannot be replicated elsewhere. It is the skill and finesse that goes into embroidery, which gives an Indian garment its distinctive look.

Many may scoff at the over-emphasis on embroidery when minimalism should be more of an in-thing. Yet, no designer can do without a dash of ostentation, even with well-constructed, tailored outfits, not to mention conventional salwar- kameezes, kurtas, lehnga-cholis and sarees.

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In all this, zardozi happens to be the most popular and sought after embroidery form with all designers. Traditionally, it used to be executed in gold and silver wire (salma and sitara respectively) on rich textiles like silk and velvet. But today, for a salwar-kameez or jacket, plain silk thread (which produces a metallic sheen) is used and instead of having a pattern stamped with the help of wooden blocks, impressions are made with gum and chalk from paper stencils. The embroidery is done by hand, using needles of different sizes. Often readymade shapes of the material, with names such as nakshi, sadi, kora and kangani are stitched on to form of zardozi patterns. This material is purchased by weight and is available in grouped sections or bunches known as lachhis, held together by a fine string.

Then there is chikankari. The most significant development in this form of embroidery is that craftsmen have turned adaptable to the demands of the fashion industry. Earlier, on the pretext of holding on to time-honoured customs and traditions, they were reluctant to "compromise craft" to market forces.

Star designers discovered this when they went to Lucknow to get some chikankari embroidery done. Much to their amazement, they found craftsmen not only willing to experiment with newer fabrics like chiffon, but also innovate on their technique. The change in attitude and a sense of professionalism among the younger generation of chikankari workers have made them hot property in the Bombay fashion mart. Better still, chikan work has become a "highly evolved" embroidery form, lending itself to crinkled cottons, applique and clothes with tassels!

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In her collection of temple sarees, an upcoming designer applied chikan embroidery on silk for the borders and on white odhnis and stoles. Crinkled lengas, short cotton kurtas and knee-length skirts also made a celebration of this ancient embroidery tradition.

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Another designer making waves with chikankari has combined tiny beaded pears and shimmering sequins with chikan work in an exquissite collection chiffon sarees, silk cholis and gorgeous lehnga-cholis in reds, greens and blues!

Phulkari and bidri are two other embroidery forms undergoing a revival of sorts. A friend had her wedding line of body-hugging kurtis and long skirts in jewel tones with phulkari and sali (or tube) work. On bidri work, the most notable collection comes in the range of ‘cocktail sarees’, kurtas and salwar-Kameez ensembles. Significantly, they were all in black— making the embroidery stand out.

Then there are certain embroidery forms involving mirrors, beads, stones, shells... even jute ropes which find expression in casual wear - strapless halters, one-shouldered tops, back-blouses, lachhas, skirts with asymmetrical hemlines and parallels.

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Indian Fashion Glossary:

- A -
Aari work (Patched) :	Gujarati art where patches of hand-embroidered cotton cloth are stitched together. The embroidery is hand done by skilled specialized artisans.
Accessories :	Additional ornamentation to accompany the traditional Indian clothing like bindi, bangles, maang tika, armlets,earings, nakeless, paayal etc.
Achkan :	A long-sleeved coat-like garment buttoned in the front and reaching down to the knees or lower.

- B -
Bandhani :	Fabric which is prepared using the tie-and-dye process. Also commonly known as Bandhej and spelled as Bandhni.
Bandhani Print :	A pattern/print commonly used in northern India on the fabric which gives a tie-and-dye effect.
Beauty :	Men would say that a beautiful woman boils down to two characteristics: 1. Happy. 2. Healthy.1. Happy:When we are happy, our brain let off adrenalin, there is light in our eyes, we walk with vigor, and we have hope for living. Keep always a smle on face. 2. Healthy:Looking healthy means having good skin, being energetic and having no obvious disability or disfigurement.
Beauty Tips :	Tips for skin care,body care, hair care.
Bangles :	Hoops, made of glass or metal, and worn around the wrists. They come in different colors and may be plain or have designs etched on them. Normally, more than 1 are worn on both wrists by girls.
Bindi :	An Indian accessory generally worn on the forehead - comes in different colors and shapes and is made of varied materials (beads, stones, felt, etc). Bindis, these days, are self-stick and are usually worn on the forehead, in between the eyebrows. Also commonly known as Bindiya / Kumkum / Tikki.
Brocade :	A heavy, exquisite, jacquard-type fabric with an all-over raised pattern or floral design.
Butti :	A floral pattern very commonly used in Indian textile design. It's Stylised Motifs printed or embroidery repeatedly over an area of fabric. Also spelled as Booti/Buti/Buta.

- C -
Celebrity :	A celebrity is a widely-recognized or famous person who commands a high degree of public and media attention. The word stems from the Latin adjective celeber meaning famous or celebrated.
Celebrity Wear :	A celebrity fashion/celebrity style clothes newest designer clothing, handbags and jewelry that you will love to shop. Order the most fashionable jeans, leather belts, tops,
Chiffon :	A plain, woven, lightweight, extremely sheer, airy, and soft silk fabric, containing highly twisted filament yarns. The fabric, used mainly in evening dresses and scarves, can also be made from rayon and other manufactured fibers.
Choli :	A short blouse, which leaves the midriff exposed, usually worn with a saree / lehenga / ghagra.
Chunri :	A long scarf or wrap worn with most Indian girls' and boys' outfits. It can be worn in countless ways - for example, it can be draped over one or both shoulders (for both girls & boys) or can be used to cover the head like a veil (for girls only).It's a long scarf worn as an accesory to several Indian outfits such as, Kurta, Kurti, Ghagara, Sharara etc. Also commonly known as Chunni/Dupatta.
Chunri Print :	A pattern/print commonly used in northern India on the fabric which gives a tie-and-dye effect.
Churidar :	Pants which are snug around the calf and ankle, but loose at the hips and thighs. The garment is made long so that gatherings form at the ankle. Can be worn by girls under salwar or boys under a kurta (tunic). Also spelled as Churidhar.
Cotton :	A unicellular, natural fiber that grows in the seed pod of the cotton plant. Fibers are typically 1/2 inch to 2 inches long. The longest staple fibers, longer than 1-1/2 inch, including the Pima and Egyptian varieties, produce the highest quality cotton fabrics.
Crepe :	Woven fabric. Usually in silk. Soft in touch and lustrous in look. It is fairly sheer and has a slight rippled texture. Also known as CREPE DE CHINE.

- D -
desiVastra :	Ethnic Indian Clothes.
Dhoti :	The traditional Indian dress for males for the lower part of the body, consisting of a piece of unstitched cloth draped over the hips and legs. Worn in various ways in different parts of India.
Dupatta :	A scarf or wrap worn with most Indian girls' and boys' outfits. It can be worn in countless ways - for example, it can be draped over one or both shoulders (for both girls & boys) or can be used to cover the head like a veil (for girls only). Also called as odhani, chunri, chunar, chunni, chunari.

- E -
Ethnic :	Particular to a group sharing a common origin, culture or language. (of Indian origin in case of all our products).
- F -
Fashion :	The term "fashion" usually applies to a prevailing mode of expression, but quite often applies to a personal mode of expression that may or may not apply to all. Inherent in the term is the idea that the mode will change more quickly than the culture as a whole.The term "fashion" is frequently used in a positive sense, as a synonym for glamour, beauty and style.
Fashion Designe :	Fashion design is the applied art dedicated to the design of clothing and lifestyle accessories created within the cultural and social influences of a specific time. Fashion design differs from costume design due to its core product having a built in obsolescence usually of one to two seasons. A season is defined as either autumn/winter or spring/summer.
Fashion Designer :	Fashion designers design clothing and accessories also for women. Some high-fashion designers are self-employed and design for individual clients. Other high-fashion designers cater to specialty stores or high-fashion department stores. These designers create original garments, as well as those that follow established fashion trends.
Fashion Show :	A fashion show is an event put on by a fashion designer to showcase his or her upcoming line of clothing.
- G -
Georget :	A sheer lightweight fabric, often made of silk or from such manufactured fibers as polyester, with a crepe surface.
Ghagra :	Skirt, usually flared, which reaches upto the ankles. Usually has embroidery or some other work on it. Also spelled as Ghaghra / Gagra
Ghungroos :	Tiny bells attached to clothes or anklets.
Gota :	Thin ribbon made of gold or silver thread.

- I -
Indian Fashion :	Indian fashion includes Indian clothes as saree, salwar kameez, lehenga choli, Indian women's accessories as bangles, neckless, earings, bracelets, anclets, bindi etc.
:
- J -
Jaal :	An all over pattern in print or embroidered fabric.
- K -
Kada :	A thick bangle or bracelet worn by girls and boys. May be worn on just one wrist or one on each wrist.
Kairi Butti :	A pattern common in Indian textile design, based on the shape of a mango.
Kameez :	A shirt or tunic worn by girls over a salwar (pant) - may be of varying lengths depending on the current fashion trend). Also spelled as Khameez / Kamiz.
Kumkum :	Same as bindi.
Kurta :	Shirt or tunic worn by boys (over a pajama/pant) and girls (over a salwar/pant).
Kurti :	A shorter form of kurta, usually upto the hips, worn by girls over a lehenga (skirt) or pants.

- L -
Lace :	An ornamental braid for trimming.
Lacha :	An ankle-length skirt, tunic and scarf combination.
Lehenga :	A long skirt which reaches upto the ankles. Usually has embroidery or some other work on it. Also spelled as Lehnga / Lehanga / Lengha.
Lungi :	A piece of garment worn by men on the lower half of the body. Worn in various ways in different parts of India.

- M -
Maang Tika :	An Indian accessory worn in the hair by girls. It consists of a pendant and a chain with a hook at the end - the chain is worn along the hair-part using the hook to attach it to the hair so that the pendant is on the forehead just beyond the hairline.
Make up :	Makeup Cosmetics include skin-care creams, lotions, powders, perfumes, lipsticks, fingernail and toenail polishes, eye and facial makeup, foundation.
Make up Tips :	Tips for Party makeup, daily makeup, office makeup, bridal makeup, makeup in five minutes, Step by step makeup, lip makeup, eye makeup, makeup for dark skin.
Manicure :	A manicure is a cosmetic beauty treatment for the fingernails and hands by a nail technician. The word "manicure" derives from Latin: manus for hand, cura for "care". Manicures often include the filing, polishing, and painting of fingernails.
- N -
Net :	An open fabric, which is created by connecting the intersections in a woven, knitted, or crocheted construction to form a mesh-like appearance that won't ravel.

- P -
Pajama :	Drawstring pants worn by boys under a kurta (tunic). Also spelled as Paijama / Pyjama / Pejama.
Party :	A party is a social gathering for celebration and recreation. While having some things in common with religious and seasonal festivals, the term "party" usually denotes a smaller gathering for a personal, rather than cultural, occasion even when the occasion is simply that of gaiety.
Party Wear :	At Party Dress Express we have the largest selection of special occasion dresses for all your needs. Party wear sarees, Party wear Salwar Kameez, Western Party wears, Party wear designer clothes.
Payal :	Anklet generally made of silver. Also commonly known as Pajeb and spelled as Paayal / Pazeb.
Pedicure :	A pedicure is a way to improve the appearance of the feet, and their nails. It basically is a manicure for the feet. The word pedicure comes form the Latin words pes, which means foot, and cura, which means care. It also means the care of the feet and toenails.
Pret :	Ready-to-wear or pr�t-�-porter is the fashion design term for clothing marketed in a finished condition, in standard clothing sizes (in casual usage, off the rack or "off-the-peg").

- R -
Resham :	Fine needled embroidery done with silk thread by skilled artisans. Also spelled as Reshim.
- S -
Salwar :	Pants worn by girls under a kurta / kameez (tunic). Also commonly as spelled as Salwaar / Shalwar / Salvar.
Saree :	The saree is a traditional garment for women. It comprises a long single piece of fabric, approximately 5.5 metres in length and 1 metre in width, expertly wound around a woman’s body, with the loose end thrown over the shoulder. Worn with a choli, or short, fitting blouse, the fabric itself can be very detailed. Also spelled as sari. There are verious types of sarees as designer sarees, fancy designer sarees, silk sare, wedding saree, party wear saree, pret saree etc.
Satin :	A traditional fabric utilizing a satin weave construction to achieve a lustrous fabric surface. Satin is a traditional fabric for evening and wedding garments. Typical examples of satin weave fabrics include: slipper satin, crepe-back satin, faille satin, bridal satin, moleskin, and royal satin.
Sequence :	A sequence in geology refers to a sequence of geological events, processes, or rocks, arranged in chronological order.
Sequins :	Small round flat pieces of shiny metal or plastic sewn onto clothing to add shimmer and reflect light.
Sharara :	A kind of loose, trailing pant worn by girls under a kurta/tunic.
Sherwani :	A coat-like garment buttoned in the front which reaches down to the knees or lower. Usually has embroidery or some other type of work on it. Worn by men at weddings and other formal parties.
Silk :	It is obtained from cocoons of certain species of caterpillars. It is soft and has a brilliant sheen. It is one of the finest textiles. It is also very strong and absorbent.
Style :	A particular kind (as to appearance); manner: how something is done or how it happens; expressive style: a way of expressing something (in language or art or music etc.) that is characteristic of a particular person or group of people or period.
Swaroski :	Swarovski is the luxury brand name for the range of precision-cut lead crystal glass products produced by companies owned by Swarovski AG of Feldmeilen, near Zürich, Switzerland. Lead crystals cut at the Swarovski factory in Austria. These crystal beads are cut with precise edges & Angles and are highly regarded for their quality, brilliance, and clarity.
- T -
Tikki/Tiki :	Small Metallic Discs Embroidered onto Fabric. Also called as TIKLI HANDWORK

- V -
Vastra :	Hindi word for clothes.

- Z -
Zardozi :	Intricate hand embroidery using gold, silver or colored wire. Also spelled as Zardosi.
Zari :	Metallic thread used for brocading. It's Metal wrapped yarn used for Zardosi embroidery.

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